2013. Power Plant explores geothermal facilities: structures conceived solely to function, with no aesthetic intention or desire to engage with their surroundings. Yet when their components are isolated and reframed, an unintended beauty emerges—one that usually goes unnoticed. Pipes, metal surfaces and repetitive forms create a visual landscape that, once removed from its industrial context, approaches the abstract. Here, photography becomes a way of resisting an instrumental gaze, allowing the technical to reveal layers of meaning never considered by those who designed it. The project questions the supposed neutrality of infrastructure and proposes a critical reading of the industrial territory, where even the most functional constructions can become spaces for interpretation, expression and a peculiar sense of harmony.