2010. In a world where everything seems located, recognised, labelled and even georeferenced, Minus turns its attention to landscapes that remain outside any defined identity. These are anonymous, unnamed places, suspended in a territory that belongs to no map. Spaces that might otherwise go unnoticed yet, in a precise moment, reveal an unexpected presence. They are fleeting scenes that assert themselves only briefly, before disappearing once more. Minus explores this minimal, almost accidental appearance through which a nameless place acquires meaning just before it fades again.